As Courtney Holm scoured warehouses for fabric to create garments for her sustainable fashion label, she was struck by the enormous scale of excess material in Australia.
“I would go out to these different places, and I would see all of this surplus material,” Ms Holm said.
“You go to a bigger factory, or you go to a mill, and you see a warehouse full of it.
“And it’s just quite shocking that this material wasn’t getting used.”
After years of wondering how to make this resource available to those who could use it, she thought: “What if someone digitised everything and put this onto one platform?”
When no-one did, Ms Holm applied for a grant from the Victorian government’s Circular Economy Business Innovation Centre, which funds projects that prevent products from going to waste.
“Basically that was the kick-starter for us to actually build a platform and to test it to see what people were actually looking for from a buying perspective, as well as the people that are holding the surplus, what were their needs?” she told ABC Radio Perth.
“The pilot went so well that we decided to turn it into a business,” she said.
That business, Melbourne-based Circular Sourcing, is now so successful that Ms Holm is winding down her fashion label to focus on it full time.
While much of the focus on fashion waste is on the fast-fashion industry and the quantity of clothing that is discarded each year, unused fabric is also a big, although far less visible, problem.
“It’s around $210 billion of [global, annual] value that is not being necessarily claimed back from those materials,” Ms Holm said.
“So there’s an economic and a sustainability push for this to be solved.”
There are varied reasons for why garment manufacturers create so much surplus fabric.
Ms Holm said many mills had large minimum order requirements, of 500 or 1,000 metres or more, which forced companies to order more material than they actually needed.
“A lot of the time, the machinery that is utilised to create fabrics and materials can only produce a certain amount. They’re built for volume,” she said.
In some cases the excess might be because mills don’t sell as much from a production run as expected.
“No-one’s trying to overproduce because it’s expensive to overproduce,” Ms Holm said.
At Circular Sourcing, surplus material is listed for sale, either by the metre or by the roll, depending on the sellers’ preference, and anyone, from home-sewing enthusiasts to other fashion brands or designers, can buy the fabric.
“If you are just interested in working with small amounts of material, or you just want to make something for yourself at home, we don’t have any rules around who can actually purchase on the platform,” Ms Holm said.
Despite initial fears that some labels might not want to sell their excess stock to the public, especially material with distinctive prints, Ms Holm said that wasn’t the case, and most wanted their fabric to be put to good use.
“I think that’s such an interesting sign that things have changed,” she said.
“There is a shift towards sustainability being prioritised in businesses, and using surplus is a big part of that.”
For home sewers, she said, it was an opportunity to buy high-quality, often made-to-order, fabric that wasn’t available for sale at other fabric retailers.
“[Online] they can see what the fabric is, where it came from. If there’s provenance information that all gets captured as well,” Ms Holm said.
Jillian Boustred, who founded her eponymous small Sydney-based fashion label in 2016, is one of many designers now able to sell her excess fabric through Ms Holm’s website.
“Previously we were dealing with approximately 50 to 100 metres of surplus fabric a season, which is quite small compared to other brands, however it is still waste and fabric that is in perfectly good condition — looking for a new home,” Ms Boustred said.
She said that as well as reducing waste, selling the excess fabric had created an extra revenue stream for her small business.
“It has essentially allowed us to turn what was waste into a form of cashflow,” she said.
Manufacturing company MTK Australia’s Stephen Morris-Moody said that before he had the opportunity to sell surplus material through Circular Sourcing, up to 1,000 metres of the company’s knit fabrics went unsold each year.
“It’s made a big difference,” he said.
“[It’s helped] us recoup some of our development costs as well as keeping the fabrics in circulation and not going to landfill.”
He said the machines used in the manufacturing process often led to excess fabric being produced.
“As we are a manufacturer we are governed by the machinery that dyes and finishes the fabric,” he said. “One of these machines is 50 metres long, so that is the minimum we can produce.”
The Circular Sourcing website is funded by Ms Holm, who takes a commission on each sale, with the remainder going back to the seller.
While these types of platforms are already established in Europe, Ms Holm says this scale of circular selling is new for the Southern Hemisphere.
“Europe is already really quite advanced in this space,” she said.
“Especially for those smaller labels and small businesses that are starting out and have more restrictions around their minimum order quantities, it’s become a go-to for them for their sourcing.”
With so much of the world’s garment manufacturing located in Asia, Ms Holm is hoping to see the same interest in circular sourcing take off in Australia and surrounding countries.
“There is a really big opportunity in the Asia Pacific region in general for materials, because this is where a lot of our garments are actually made,” she said.